Premiere Pro Tutorial Part 45: Audio Noise Reduction and Order of Effects

Order of Effects

By Andrew Devis (doodleNEWS) So far in our recent Premiere Pro tutorials, we have looked at sweetening our sound with the Parametric Equalizer, and then compressing our signal with the Tube-modeled Compressor. But what if we have noisy audio? Is there a way to deal with that? The simple … [Read more...]

Premiere Pro Tutorial Part 44: Tube-modeled Compressor, Pt. 4

Threshold at -18

By Andrew Devis (doodleNEWS) It's time to wrap up this four-part series on the Premiere Pro Tube-modeled Compressor. I'll discuss the manipulating the Attack level. The last part of this effect to discuss is the ‘Attack’ level which is the speed at which the compressor starts to work, … [Read more...]

Premiere Pro Tutorial Part 43: Tube-modeled Compressor, Pt 3

Tube-modeled Compressor

By Andrew Devis (doodleNEWS) Here is part 3 of my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here and part 2 here. So far we have talked about ‘Threshold,’ which is the level above which compression will take place and ‘Ratio’ which is the amount of … [Read more...]

Premiere Pro Tutorial Part 42: Tube-modeled Compressor, Pt 2

-12dB And A Ratio of 6 x 1

By Andrew Devis (doodleNEWS) I continue with my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here.   First, let's discuss the slider, which is linked to ‘Threshold,’ and is the point at which the peak signal is going to be compressed. So at ‘0’ … [Read more...]

Premiere Pro Tutorial Part 41: Tube-modeled Compressor, Pt 1

Tube-Modeled Compressor UI

By Andrew Devis (doodleNEWS) In this Premiere Pro tutorial, I will begin a series on the Tube-modeled Compressor. Rectified Audio in the Premiere Pro Timeline The first thing you will notice inside of Premiere Pro is that the audio only shows the top half of the waveform. This is called … [Read more...]

Premiere Pro Tutorial Part 40: Understanding Audio Compression

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) In following tutorials I’m going to be talking about tools in Premiere Pro and Audition that allow us to compress the audio range of a clip or a track. So, what is audio compression and why do we need it? To best explain this, I have recorded some audio that … [Read more...]

Premiere Pro Tutorial Part 39: The Parametric Equalizer, Pt 3

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) We continue our tutorial on the Parametric Equalizer in Premiere Pro CC 2017. Click here for part 1 and part 2. Q/Width With the Parametric Equalizer, what is even more impressive is that you can directly affect how taut or slack the rubber-band effect is by … [Read more...]

HDR, Part 3: High Dynamic Range Options

Sony BVM-X300

What are the options? By Andrew Devis (doddleNEWS) One of the keys for many players in the broadcast industry is ‘backwards compatibility.’ There are millions of SDR (Standard Dynamic Range) TVs out there so we need to make sure that when we start broadcasting HDR that those with the older … [Read more...]

Premiere Pro Tutorial Part 38: The Parametric Equalizer, Pt 2

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) In this Premiere Pro CC 2017 tutorial, I continue discussing the Parametric Equalizer (click here for part 1). So, looking at the UI for the Parametric Equalizer we see we have 7 dots on a blue line. These dots - L, 1, 2, 3, 4, 5 and H represent various … [Read more...]

Premiere Pro Tutorial Part 37: Parametric Equalizer, Pt 1

Applying Track Based Parametic Equalizer

By Andrew Devis (doodleNEWS) As mentioned in previous posts in our ongoing Premiere Pro tutorial series, audio effects can be applied to both individual clips as well as to complete audio tracks such that every clip on that audio track has the same effect at the same levels applied to it. So, … [Read more...]

Premiere Pro Tutorial Part 36: Updated Audio Effects In Creative Cloud 2017

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) One of the bug-bears for Premiere Pro users over the years has been the poor user interfaces for the various audio effects available for both clip- and track-based audio. While the tools themselves have been okay, a lot of us have chosen to abandon Premiere Pro when … [Read more...]

Premiere Pro Tutorial Part 35: Audio Track Mixer – Submix Pt 2

Mixing It Back In

By Andrew Devis (doodleNEWS) In part two of my Premiere Pro tutorial on the Submix in the Audio Track Mixer, I take a look at the second way you can use a submix is to send your audio channel directly to your Master output and partly to the Submix so that you can control the amount of the effect … [Read more...]

HDR, Part 2: We’re Already Capturing It, Plus Nits

4K HDR UHD logo by Eurofins Digital Testing

We’re already capturing it! By Andrew Devis (doddleNEWS) The fact is, we’ve been filming HDR (High Dynamic Range) and WCG (Wide Color Gamut) footage for years! The cameras we’ve been using, let alone the new ones that seem to appear every week, have by-and-large been capturing far more … [Read more...]

Premiere Pro Tutorial Part 34: Audio Track Mixer, Submix Pt 1

Submix Area

By Andrew Devis (doodleNEWS) While I don’t intend to make these blog posts into advanced audio tips and tricks, Premiere Pro does offer the ability to create and use Submixes inside the Audio Track Mixer which is right under the channel effects – see the last post. When you select a … [Read more...]

Premiere Pro Tutorial Part 33: Audio Track Mixer – More Options

Revealed

By Andrew Devis (doodleNEWS) In this new Premiere Pro tutorial, I discuss the hidden bit! Yes, it is a feature in Premiere Pro where part of this panel is hidden, and not very easy to find unless you know what to look for. Hidden Revealed   This is the area where you … [Read more...]