Premiere Pro Tutorial Part 44: Tube-modeled Compressor, Pt. 4

Threshold at -18

By Andrew Devis (doodleNEWS) It's time to wrap up this four-part series on the Premiere Pro Tube-modeled Compressor. I'll discuss the manipulating the Attack level. The last part of this effect to discuss is the ‘Attack’ level which is the speed at which the compressor starts to work, … [Read more...]

Premiere Pro Tutorial Part 43: Tube-modeled Compressor, Pt 3

Tube-modeled Compressor

By Andrew Devis (doodleNEWS) Here is part 3 of my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here and part 2 here. So far we have talked about ‘Threshold,’ which is the level above which compression will take place and ‘Ratio’ which is the amount of … [Read more...]

Premiere Pro Tutorial Part 42: Tube-modeled Compressor, Pt 2

-12dB And A Ratio of 6 x 1

By Andrew Devis (doodleNEWS) I continue with my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here.   First, let's discuss the slider, which is linked to ‘Threshold,’ and is the point at which the peak signal is going to be compressed. So at ‘0’ … [Read more...]

Premiere Pro Tutorial Part 41: Tube-modeled Compressor, Pt 1

Tube-Modeled Compressor UI

By Andrew Devis (doodleNEWS) In this Premiere Pro tutorial, I will begin a series on the Tube-modeled Compressor. Rectified Audio in the Premiere Pro Timeline The first thing you will notice inside of Premiere Pro is that the audio only shows the top half of the waveform. This is called … [Read more...]

Sony Exec Explains Benefits of XAVC Codec


By James DeRuvo (doddleNEWS) Sony took to the web yesterday to explain their new ultra high definition (UHD) format, XAVC, and builds upon the strengths of H.264. And in doing so, Sony's Chief Technology Office Hugo Gaggioni stated quite clearly that the world is charging headlong into 4K with a … [Read more...]

Cinemartin 4K H.265 Compression Shows Promise


Claims ProRes 444 at 1% of file size By James DeRuvo (doddleNEWS) Yes, you read that right.  A company that is working on developing H.265 codecs and says that they can do ultra high definition quality streams for a lot less than its original 4K size.  Like 99% less.  The company is using … [Read more...]

H.264 vs. Raw: What’s the Difference?


Some situations may not require it By James DeRuvo (doddleNEWS) YouTuber and photographer Dave Dugdale is getting ready for his Blackmagic Cinema Camera by experimenting with Raw video using Magic Lantern on his Canon 5D Mk. III. And he's found some interesting differences between Raw and … [Read more...]

ARRI Confirms 4K Camera Development


But they're not all that happy about it By James DeRuvo (doddleNEWS) With Arri's official announcement that they are developing a 4K Alexa with 14 stops of dynamic range and high frame rates, you'd think the bright future of 4K would be exciting at the camera manufacturer.  But quite the … [Read more...]