Premiere Pro Tutorial Part 44: Tube-modeled Compressor, Pt. 4

Threshold at -18

By Andrew Devis (doodleNEWS) It's time to wrap up this four-part series on the Premiere Pro Tube-modeled Compressor. I'll discuss the manipulating the Attack level. The last part of this effect to discuss is the ‘Attack’ level which is the speed at which the compressor starts to work, … [Read more...]

Premiere Pro Tutorial Part 43: Tube-modeled Compressor, Pt 3

Tube-modeled Compressor

By Andrew Devis (doodleNEWS) Here is part 3 of my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here and part 2 here. So far we have talked about ‘Threshold,’ which is the level above which compression will take place and ‘Ratio’ which is the amount of … [Read more...]

Premiere Pro Tutorial Part 42: Tube-modeled Compressor, Pt 2

-12dB And A Ratio of 6 x 1

By Andrew Devis (doodleNEWS) I continue with my Premiere Pro lesson on the Tube-modeled compressor. Check out part 1 here.   First, let's discuss the slider, which is linked to ‘Threshold,’ and is the point at which the peak signal is going to be compressed. So at ‘0’ … [Read more...]

Premiere Pro Tutorial Part 41: Tube-modeled Compressor, Pt 1

Tube-Modeled Compressor UI

By Andrew Devis (doodleNEWS) In this Premiere Pro tutorial, I will begin a series on the Tube-modeled Compressor. Rectified Audio in the Premiere Pro Timeline The first thing you will notice inside of Premiere Pro is that the audio only shows the top half of the waveform. This is called … [Read more...]

Premiere Pro Tutorial Part 40: Understanding Audio Compression

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) In following tutorials I’m going to be talking about tools in Premiere Pro and Audition that allow us to compress the audio range of a clip or a track. So, what is audio compression and why do we need it? To best explain this, I have recorded some audio that … [Read more...]

Premiere Pro Tutorial Part 39: The Parametric Equalizer, Pt 3

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) We continue our tutorial on the Parametric Equalizer in Premiere Pro CC 2017. Click here for part 1 and part 2. Q/Width With the Parametric Equalizer, what is even more impressive is that you can directly affect how taut or slack the rubber-band effect is by … [Read more...]

Premiere Pro Tutorial Part 36: Updated Audio Effects In Creative Cloud 2017

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) One of the bug-bears for Premiere Pro users over the years has been the poor user interfaces for the various audio effects available for both clip- and track-based audio. While the tools themselves have been okay, a lot of us have chosen to abandon Premiere Pro when … [Read more...]

Mettle Unveils Affordable Suite Of Virtual Reality Tools


By James DeRuvo (doddleNEWS) Virtual Reality and 360° video keeps gathering steam, and it's easy to see why. It's a fresh new toy for the filmmaker arsenal. But while you can enjoy the freshness that a VR camera rig can provide, you still need the tools to be able to create a viable story. … [Read more...]

doddleREVIEWS: Martini QuickShot Creator For NLE’s

Martini QuickShot Creator 3

Martini QuickShot Creator is for editors By Kevin P. McAuliffe (doddleNEWS) If you’re an editor, there’s probably been countless times in the edit suite when you’ve found yourself looking for just the right shot that you realize, you just don’t have. The edit needs to continue, but … [Read more...]

Premiere Pro Tutorial Part 34: Audio Track Mixer, Submix Pt 1

Submix Area

By Andrew Devis (doodleNEWS) While I don’t intend to make these blog posts into advanced audio tips and tricks, Premiere Pro does offer the ability to create and use Submixes inside the Audio Track Mixer which is right under the channel effects – see the last post. When you select a … [Read more...]

Premiere Pro Tutorial Part 33: Audio Track Mixer – More Options


By Andrew Devis (doodleNEWS) In this new Premiere Pro tutorial, I discuss the hidden bit! Yes, it is a feature in Premiere Pro where part of this panel is hidden, and not very easy to find unless you know what to look for. Hidden Revealed   This is the area where you … [Read more...]

Premiere Pro Tutorial Part 32: Audio Track Mixer – Automation Modes, Pt 2

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) In part 2 of our Premiere Pro tutorial focusing on the Audio Track Mixer, I continue with Automation Modes, which I began discussing in the previous article. So what do these modes do? Here is a list of the automation modes, plus an explanation, found in … [Read more...]

Premiere Pro CC Tutorial Part 31: Audio Track Mixer – Automation Modes, Pt 1

Automation Modes

By Andrew Devis (doodleNEWS) In this new Premier Pro tutorial, the Audio Track Mixer is where you will find a drop-down menu which by default says ‘Read.’ If you click this drop-down, you will find several other options – 'Off', 'Latch', 'Touch' and 'Write.' So what are these modes and how … [Read more...]

Sundance 2017: Adobe Premiere Pro Has Huge Presence Once Again

Adobe Sundance 2017

By James DeRuvo (doddleNEWS) We've barely caught our breath from CES and Sundance is preparing to get into full swing, and Adobe is on just about every film panel's agenda. Why? Well, not only is it an official sponsor of the Robert Redford's film festival, but with over 4 in 10 projects using … [Read more...]

Premiere Pro CC Tutorial Part 30: Group Panel Settings

Adobe Premiere Pro

By Andrew Devis (doodleNEWS) You may have noticed a change in the way some panels are stacked in newer versions of Premiere Pro and After Effects. A great example of this is the Lumetri Color Panel which you can find to the right of your UI if you choose the ‘Color’ workspace. The … [Read more...]

Larry Jordan Looks Back At 2016


By Larry Jordan (doddleNEWS) On the Digital Production Buzz this last week, Michael Kammes asked me what I thought the highlights of 2016 were. As I was thinking about it, I realized that these fell into four areas: Distribution Hardware Software Business Trends Here’s what I … [Read more...]